asylum-art:

Graziano Locatelli
The works all have the name of a street or a street that has been part of the life of Locatelli and want to be an element of profound innovation in contemporary art. This is how the walls torn, shattered sculptures in which the memory bully comes across space and time, giving voice to a neurosis and an emotion tied to the objects that have left deep scars in the life of the artist. The tiles vintage crumbling and animate in a three-dimensional movement, are the chosen element to emphasize the power and vehemence that the memories have in our lives.  A broken wall in a house “uninhabited” that wants to tell his story.  Hence the title of the exhibition “Disabitare” as an evocation of a time that was where the object that has been forgotten its presence screams coming out of the walls, the walls, from our memories. An attempt, therefore, “Re-inhabiting” to Locatelli, an attempt to revive a past that would not be forgotten, but that is hard to forget.
asylum-art:

Graziano Locatelli
The works all have the name of a street or a street that has been part of the life of Locatelli and want to be an element of profound innovation in contemporary art. This is how the walls torn, shattered sculptures in which the memory bully comes across space and time, giving voice to a neurosis and an emotion tied to the objects that have left deep scars in the life of the artist. The tiles vintage crumbling and animate in a three-dimensional movement, are the chosen element to emphasize the power and vehemence that the memories have in our lives.  A broken wall in a house “uninhabited” that wants to tell his story.  Hence the title of the exhibition “Disabitare” as an evocation of a time that was where the object that has been forgotten its presence screams coming out of the walls, the walls, from our memories. An attempt, therefore, “Re-inhabiting” to Locatelli, an attempt to revive a past that would not be forgotten, but that is hard to forget.
asylum-art:

Graziano Locatelli
The works all have the name of a street or a street that has been part of the life of Locatelli and want to be an element of profound innovation in contemporary art. This is how the walls torn, shattered sculptures in which the memory bully comes across space and time, giving voice to a neurosis and an emotion tied to the objects that have left deep scars in the life of the artist. The tiles vintage crumbling and animate in a three-dimensional movement, are the chosen element to emphasize the power and vehemence that the memories have in our lives.  A broken wall in a house “uninhabited” that wants to tell his story.  Hence the title of the exhibition “Disabitare” as an evocation of a time that was where the object that has been forgotten its presence screams coming out of the walls, the walls, from our memories. An attempt, therefore, “Re-inhabiting” to Locatelli, an attempt to revive a past that would not be forgotten, but that is hard to forget.
asylum-art:

Graziano Locatelli
The works all have the name of a street or a street that has been part of the life of Locatelli and want to be an element of profound innovation in contemporary art. This is how the walls torn, shattered sculptures in which the memory bully comes across space and time, giving voice to a neurosis and an emotion tied to the objects that have left deep scars in the life of the artist. The tiles vintage crumbling and animate in a three-dimensional movement, are the chosen element to emphasize the power and vehemence that the memories have in our lives.  A broken wall in a house “uninhabited” that wants to tell his story.  Hence the title of the exhibition “Disabitare” as an evocation of a time that was where the object that has been forgotten its presence screams coming out of the walls, the walls, from our memories. An attempt, therefore, “Re-inhabiting” to Locatelli, an attempt to revive a past that would not be forgotten, but that is hard to forget.
asylum-art:

Graziano Locatelli
The works all have the name of a street or a street that has been part of the life of Locatelli and want to be an element of profound innovation in contemporary art. This is how the walls torn, shattered sculptures in which the memory bully comes across space and time, giving voice to a neurosis and an emotion tied to the objects that have left deep scars in the life of the artist. The tiles vintage crumbling and animate in a three-dimensional movement, are the chosen element to emphasize the power and vehemence that the memories have in our lives.  A broken wall in a house “uninhabited” that wants to tell his story.  Hence the title of the exhibition “Disabitare” as an evocation of a time that was where the object that has been forgotten its presence screams coming out of the walls, the walls, from our memories. An attempt, therefore, “Re-inhabiting” to Locatelli, an attempt to revive a past that would not be forgotten, but that is hard to forget.
asylum-art:

Graziano Locatelli
The works all have the name of a street or a street that has been part of the life of Locatelli and want to be an element of profound innovation in contemporary art. This is how the walls torn, shattered sculptures in which the memory bully comes across space and time, giving voice to a neurosis and an emotion tied to the objects that have left deep scars in the life of the artist. The tiles vintage crumbling and animate in a three-dimensional movement, are the chosen element to emphasize the power and vehemence that the memories have in our lives.  A broken wall in a house “uninhabited” that wants to tell his story.  Hence the title of the exhibition “Disabitare” as an evocation of a time that was where the object that has been forgotten its presence screams coming out of the walls, the walls, from our memories. An attempt, therefore, “Re-inhabiting” to Locatelli, an attempt to revive a past that would not be forgotten, but that is hard to forget.
asylum-art:

Graziano Locatelli
The works all have the name of a street or a street that has been part of the life of Locatelli and want to be an element of profound innovation in contemporary art. This is how the walls torn, shattered sculptures in which the memory bully comes across space and time, giving voice to a neurosis and an emotion tied to the objects that have left deep scars in the life of the artist. The tiles vintage crumbling and animate in a three-dimensional movement, are the chosen element to emphasize the power and vehemence that the memories have in our lives.  A broken wall in a house “uninhabited” that wants to tell his story.  Hence the title of the exhibition “Disabitare” as an evocation of a time that was where the object that has been forgotten its presence screams coming out of the walls, the walls, from our memories. An attempt, therefore, “Re-inhabiting” to Locatelli, an attempt to revive a past that would not be forgotten, but that is hard to forget.
asylum-art:

Graziano Locatelli
The works all have the name of a street or a street that has been part of the life of Locatelli and want to be an element of profound innovation in contemporary art. This is how the walls torn, shattered sculptures in which the memory bully comes across space and time, giving voice to a neurosis and an emotion tied to the objects that have left deep scars in the life of the artist. The tiles vintage crumbling and animate in a three-dimensional movement, are the chosen element to emphasize the power and vehemence that the memories have in our lives.  A broken wall in a house “uninhabited” that wants to tell his story.  Hence the title of the exhibition “Disabitare” as an evocation of a time that was where the object that has been forgotten its presence screams coming out of the walls, the walls, from our memories. An attempt, therefore, “Re-inhabiting” to Locatelli, an attempt to revive a past that would not be forgotten, but that is hard to forget.
asylum-art:

Graziano Locatelli
The works all have the name of a street or a street that has been part of the life of Locatelli and want to be an element of profound innovation in contemporary art. This is how the walls torn, shattered sculptures in which the memory bully comes across space and time, giving voice to a neurosis and an emotion tied to the objects that have left deep scars in the life of the artist. The tiles vintage crumbling and animate in a three-dimensional movement, are the chosen element to emphasize the power and vehemence that the memories have in our lives.  A broken wall in a house “uninhabited” that wants to tell his story.  Hence the title of the exhibition “Disabitare” as an evocation of a time that was where the object that has been forgotten its presence screams coming out of the walls, the walls, from our memories. An attempt, therefore, “Re-inhabiting” to Locatelli, an attempt to revive a past that would not be forgotten, but that is hard to forget.

asylum-art:

Graziano Locatelli

The works all have the name of a street or a street that has been part of the life of Locatelli and want to be an element of profound innovation in contemporary art. This is how the walls torn, shattered sculptures in which the memory bully comes across space and time, giving voice to a neurosis and an emotion tied to the objects that have left deep scars in the life of the artist. The tiles vintage crumbling and animate in a three-dimensional movement, are the chosen element to emphasize the power and vehemence that the memories have in our lives.  A broken wall in a house “uninhabited” that wants to tell his story.  Hence the title of the exhibition “Disabitare” as an evocation of a time that was where the object that has been forgotten its presence screams coming out of the walls, the walls, from our memories. An attempt, therefore, “Re-inhabiting” to Locatelli, an attempt to revive a past that would not be forgotten, but that is hard to forget.

(via asylum-art)

asylum-art:

Minghao Dong
Minghao Dong (b.1983, China/France) Minghao Dong was born in Inner Mongolia, China. Graduated from University of Dalian in 2008, Minghao works predominantly in the medium of painting but also engravings and installations. Gerard Richter has been the greatest influence. This new series of paintings is a reflection of the artist pondering on the properties of human, life and death in a time characterized by impatience, fragments, nihility, and a duality of highly developed civilization and disorder.
asylum-art:

Minghao Dong
Minghao Dong (b.1983, China/France) Minghao Dong was born in Inner Mongolia, China. Graduated from University of Dalian in 2008, Minghao works predominantly in the medium of painting but also engravings and installations. Gerard Richter has been the greatest influence. This new series of paintings is a reflection of the artist pondering on the properties of human, life and death in a time characterized by impatience, fragments, nihility, and a duality of highly developed civilization and disorder.
asylum-art:

Minghao Dong
Minghao Dong (b.1983, China/France) Minghao Dong was born in Inner Mongolia, China. Graduated from University of Dalian in 2008, Minghao works predominantly in the medium of painting but also engravings and installations. Gerard Richter has been the greatest influence. This new series of paintings is a reflection of the artist pondering on the properties of human, life and death in a time characterized by impatience, fragments, nihility, and a duality of highly developed civilization and disorder.
asylum-art:

Minghao Dong
Minghao Dong (b.1983, China/France) Minghao Dong was born in Inner Mongolia, China. Graduated from University of Dalian in 2008, Minghao works predominantly in the medium of painting but also engravings and installations. Gerard Richter has been the greatest influence. This new series of paintings is a reflection of the artist pondering on the properties of human, life and death in a time characterized by impatience, fragments, nihility, and a duality of highly developed civilization and disorder.

asylum-art:

Minghao Dong

Minghao Dong (b.1983, China/France) Minghao Dong was born in Inner Mongolia, China. Graduated from University of Dalian in 2008, Minghao works predominantly in the medium of painting but also engravings and installations. Gerard Richter has been the greatest influence. This new series of paintings is a reflection of the artist pondering on the properties of human, life and death in a time characterized by impatience, fragments, nihility, and a duality of highly developed civilization and disorder.

(via asylum-art)

asylum-art:

Artist Seung-Hwan Oh and his paintingsartist on tumblr
The visual result of the symbiosis between film matter and organic matter is the conceptual origin of this body of work.
The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale.
via Emmanuel Chaussade (que je salue et remercie)
asylum-art:

Artist Seung-Hwan Oh and his paintingsartist on tumblr
The visual result of the symbiosis between film matter and organic matter is the conceptual origin of this body of work.
The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale.
via Emmanuel Chaussade (que je salue et remercie)
asylum-art:

Artist Seung-Hwan Oh and his paintingsartist on tumblr
The visual result of the symbiosis between film matter and organic matter is the conceptual origin of this body of work.
The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale.
via Emmanuel Chaussade (que je salue et remercie)
asylum-art:

Artist Seung-Hwan Oh and his paintingsartist on tumblr
The visual result of the symbiosis between film matter and organic matter is the conceptual origin of this body of work.
The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale.
via Emmanuel Chaussade (que je salue et remercie)
asylum-art:

Artist Seung-Hwan Oh and his paintingsartist on tumblr
The visual result of the symbiosis between film matter and organic matter is the conceptual origin of this body of work.
The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale.
via Emmanuel Chaussade (que je salue et remercie)
asylum-art:

Artist Seung-Hwan Oh and his paintingsartist on tumblr
The visual result of the symbiosis between film matter and organic matter is the conceptual origin of this body of work.
The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale.
via Emmanuel Chaussade (que je salue et remercie)
asylum-art:

Artist Seung-Hwan Oh and his paintingsartist on tumblr
The visual result of the symbiosis between film matter and organic matter is the conceptual origin of this body of work.
The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale.
via Emmanuel Chaussade (que je salue et remercie)
asylum-art:

Artist Seung-Hwan Oh and his paintingsartist on tumblr
The visual result of the symbiosis between film matter and organic matter is the conceptual origin of this body of work.
The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale.
via Emmanuel Chaussade (que je salue et remercie)
asylum-art:

Artist Seung-Hwan Oh and his paintingsartist on tumblr
The visual result of the symbiosis between film matter and organic matter is the conceptual origin of this body of work.
The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale.
via Emmanuel Chaussade (que je salue et remercie)
asylum-art:

Artist Seung-Hwan Oh and his paintingsartist on tumblr
The visual result of the symbiosis between film matter and organic matter is the conceptual origin of this body of work.
The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale.
via Emmanuel Chaussade (que je salue et remercie)

asylum-art:

Artist Seung-Hwan Oh and his paintings
artist on tumblr

The visual result of the symbiosis between film matter and organic matter is the conceptual origin of this body of work.

The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale.

via Emmanuel Chaussade (que je salue et remercie)

(via asylum-art)